Chen Duling's elegant charm: New beautiful photos shared by her studio

- Advertisement -

On the 12th, the studio released a set of beautiful photos of Chen Duling, these precious moments showcasing her unique temperament and style. In these photos, Chen Duling's eyes exude a cool and alluring beauty, seemingly able to penetrate the heart, captivating at first sight. Her charm lies not only in her face but also in her elegant demeanor.

 

A dazzling fashion choice

In these photos, Chen Duling wears a sequined dress, showcasing her elegance and grace. The shimmering sequins perfectly complement her cool and sophisticated aura, highlighting her unique charm. Furthermore, the accompanying diamond jewelry adds a touch of refinement to the overall look, demonstrating her distinctive understanding of fashion.

 

The sublimation of artistic atmosphere

It's worth mentioning that Chen Duling's gold-rimmed glasses not only enhanced her overall look but also strengthened her artistic temperament. This elegant demeanor conveyed an air of wisdom and independence, revealing a profound inner beauty beyond her glamorous appearance. This fashion choice was not merely for outward beauty but also showcased her inner confidence and taste.

 

 

- Advertisement -

Old news resurfaces, Chen Feiyu's team responds to "unwarranted disaster," and the popularity of his new drama rises with public opinion.

In the early hours of March 1st, Chen Feiyu's studio responded to the sudden online controversy, characterizing the incident as an "unwarranted disaster" and stating their stance of "seeking truth through purity." They also used self-deprecating expressions such as "Thank you for the free advertising space, welcome everyone to continue watching 'Love in the Pure Era'," drawing public attention to their new drama, "Love in the Pure Era," which is currently airing simultaneously on CCTV and Tencent Video. This response quickly garnered attention, and public opinion shifted from controversy to discussion about the work itself within a short period. According to related information, this round of controversy stemmed from the resurfacing of past rumors about Chen Feiyu during the ongoing discussions surrounding Qi Meihe and Wang Yibo's alleged relationship, leading some to question whether he was using the situation to create buzz for his new drama. In response, the studio did not address each specific rumor individually, but instead described it as an "unwarranted disaster," emphasizing their focus on the work itself. Their statements neither incited emotions nor directly confronted the criticisms, instead focusing on promoting the drama and portraying the characters. In terms of communication strategy, the studio used lighthearted language such as "thank you for the free advertising space" to transform negative traffic into exposure resources for the work, repeatedly emphasizing the keyword "innocence" in the drama's title, and focusing public attention on the character "Fang Muyang" played by Chen Feiyu and the drama's performance data. "Love in the Innocent Years" surpassed 28000 in popularity on Tencent Video, setting a record for the platform's Firefly Theater, and achieved a peak viewership rating of 2.7% on CCTV. It also topped several charts, including the Datawin TV Drama Popularity Index and the V-Chart Individual Character Index, becoming a direct beneficiary of this round of public opinion. Regarding the response, some netizens praised its dignified and restrained approach, believing that a calm attitude helps improve public image. Other viewers called for a return to the work itself, emphasizing that actors should focus on filming and viewers should concentrate on watching the drama, avoiding gossip interfering with the viewing experience. At the same time, some voices questioned whether artists need to strike a balance between protecting their rights and public supervision, and whether excessive use of memes could blur the focus of the controversy. Another viewpoint suggests that the controversy was related to the combined effect of old news such as the bankruptcy of Qi Meihe's family and the popularity of the new drama, triggering external speculation. It's worth noting that Chen Feiyu had previously responded humorously to the comment that he was "good at playing fools," saying, "Thank you for saying I'm acting, but some people outside say I'm real," using self-deprecation to amplify public discussion about his acting skills. This light-hearted approach reappeared in this recent public opinion crisis, establishing a consistent communication style. Overall, Chen Feiyu's team handled the sudden controversy with relative restraint, downplaying the substance of the storm, strengthening the connection between the drama and his work, and using self-deprecating language to defuse confrontation, creating a synergistic effect between public opinion and drama viewership. While the controversy may be temporary, continued discussion of the drama's reputation and actor's abilities remains a core foundation for an actor's long-term development. In this incident, Chen Feiyu and "Love in the Innocent Years" gained wider attention, with both public opinion and viewership increasing simultaneously.

Yang Zi held a couplet that read "Wishing you a prosperous Year of the Horse" to send her blessings, creating a warm and festive atmosphere.

On February 28th, Yang Zi's studio shared a set of new photos. In the pictures, Yang Zi holds a red couplet that reads "Wishing you a prosperous Year of the Horse," her smile sweet and natural, the overall atmosphere brimming with festive joy. The vibrant red elements complement her gentle and bright temperament, adding warm and sincere blessings for the New Year. On that day, Yang Zi wore a plaid coat paired with a dark brown scarf, a simple yet layered look. Her light makeup highlighted her clear and bright temperament, her overall style gentle and approachable. She looked directly at the camera with a gentle smile, her expression dignified and gentle, showcasing a composed and natural state. In the photos taken at the beach, the sea breeze gently caressed her hair, creating a relaxed and healing atmosphere, adding a touch of freshness and liveliness to the entire set of photos. Overall, the styling was sophisticated yet understated, revealing a playful and lively feel in the details, presenting both the festive atmosphere and Yang Zi's natural and approachable side.

"The Practical Guide to Love": Han Ji-min reunites with her college crush, Shin Jae-ha, at work.

JTBC's new drama "The Practical Guide to Love" has released new stills, sparking anticipation among viewers. The drama tells the story of Lee Eui-young (Han Ji-min), who enters the world of arranged marriages after deciding to actively pursue love. When she meets two men with drastically different charms—played by Park Sung-hoon and Lee Ki-taek respectively—she wavers between rationality and attraction, embarking on a journey to find the meaning of "true love." In her views on relationships, Lee Eui-young firmly believes in fateful encounters. Rather than deliberately creating opportunities or forcibly pushing relationships forward, she longs for the natural, unconscious attraction that arises from falling in love with someone familiar to her. However, reality constantly challenges her ideals, making her begin to doubt whether such love truly exists. Just then, she unexpectedly reunites with Kang Do-hyun (Shin Jae-ha), her college crush from 10 years ago. During their university years, there was a vague, ambiguous feeling between them, but they never truly took the step of becoming lovers. Ten years later, they meet again as colleagues at The Hill Hotels. This long-awaited reunion seems to bring Lee Eui-young one step closer to her ideal of "natural love." The released stills simultaneously present their past and present. One photo captures the moment of their first crush during their university years, innocent and reserved; while in the present timeline, Kang Do-hyun takes a picture of Lee Eui-young while on a business trip, showcasing both their professional chemistry and hinting at the lingering emotional tension. Also traveling with Lee Eui-young on this business trip is her junior colleague, Jung Hyun-min (Jung Hye-sung)...

No Tail To Tell airs its finale tonight, with Kim Hye-yoon sharing farewell messages with Lomon.

SBS drama "No Tail To Tell" will air its final episode tonight. As the finale approaches, lead actors Kim Hye-yoon and Lomon shared their thoughts on the drama and their characters in an interview. Kim Hye-yoon expressed her sadness at the drama's impending conclusion. "I was truly fortunate to play Eun-ho," she confessed, admitting she gained a lot from the process of creating the character, especially being moved by Eun-ho's inner strength. "Because of Eun-ho, I feel I've grown a bit more, and I'm very grateful for that." She also expressed her deep affection for the character, saying she would always support "Eun-ho, who is living happily somewhere." Lomon reflected on his experience playing Kang Shi-yeol over the past few months. He said every moment felt like a gift. "Through Shi-yeol, I realized that the warmest force that ultimately brings a smile to people's faces is love." He believes the character's transformation from initial simple enthusiasm to cherishing those around him after meeting Eun-ho will remain in his heart for a long time. He also described "No Tail To Tell" as a heartwarming work, teaching him to transform inner emptiness into warmth. Speaking about the highlights of the finale, Lomon revealed that he hopes viewers will focus on Kang Shi-yeol's courageous choice—to set aside his status as a world-class star in order to protect the precious value of being an ordinary person. He invited viewers to stay until the very end and witness how Shi-yeol and Eun-ho's fate will unfold. (No Tail To...)

random

"Pegasus 3": Responding to the Questions of Our Time with Passion

During the 2026 Spring Festival season, *Pegasus 3* achieved both box office and critical acclaim upon its release, becoming one of the most anticipated films of the season. It's rare for a series to maintain its popularity and quality even in its third installment. While continuing its spirited and humorous tone, the film pushes the discussion to a more realistic level: in an era of rapid technological advancement and constantly evolving algorithms, where does human value truly lie? The story picks up where the previous film left off, with Zhang Chi searching for a new balance between the racetrack and life. When the higher-level intercontinental "MuChen 100 Rally" arrives, he once again stands at the starting line. The difference is that this time, he faces not only formidable opponents but also the SS8 racing assistance system, representing the future trend. Young drivers rely on data and algorithms, while Zhang Chi relies on experience, intuition, and years of tacit understanding. The film's most realistic conflict stems from this confrontation between "human" and "system." Technology can improve efficiency, but it cannot completely replace human judgment of risk, perception of limits, and the courage to take a desperate gamble in dire situations. In the crucial final segment, the car is severely damaged, visibility is limited, and parts malfunction. Zhang Chi, relying on his remaining vision and the navigator's perfect coordination, completes a near-perfect maneuver. Technology is a tool, but what truly determines victory is the passion and perseverance in people's hearts. The film also emphasizes the value of teamwork. Victory is never the product of individual heroism, but rather the crystallization of trust, sacrifice, and cooperation. Those emotional variables that cannot be precisely quantified constitute the most fundamental difference between humans and machines. On a thematic level, fairness is also a recurring keyword. Faced with the opaque operations of capital and rules, Zhang Chi chooses to leave the system and compete with a private team. This dedication to fairness creates a stronger dramatic tension in the story and allows the audience to experience emotional release. When victory returns to the racetrack itself, a sense of justice is reciprocated. From a production perspective, director Han Han continues his professional understanding of the racing genre. As a former professional race car driver, his control over track structure and driving details ensures that the film's racing scenes maintain a high standard. Aerial shots, close-up shots, low-angle close-ups, and immersive sound effects intertwine to create an audiovisual experience that combines speed and tension. "Pegasus 3" is not just a commercial film about racing, but also an allegory about passion, fairness, and the value of humanity. As algorithms continue to evolve, human experience, emotion, and collaboration remain irreplaceable.

"Ten Years of Jianghu Night Rain and Lamp": A 37-episode narrative about two powerful figures in the martial arts world, amidst power struggles, love, and hate.

Premiering on February 22, 2026, *Ten Years of Jianghu Night Rain* unfolds a complex and multi-layered panorama of the martial arts world across thirty-seven episodes. Directed by Lü Haojiji and Guo Feng, and written by Shao Sihan, the series stars Zhou Yiran and Bao Shangen. Moving beyond the typical fast-paced revenge of traditional martial arts dramas, it explores the profound tensions between power, status, and emotion through the relationship between two strong characters and a multi-layered ensemble structure. The core argument of the series lies in the "emotional generation amidst the confrontation of two powerful figures." Mu Qingyan is decisive and shrewd, a typical two-faced young master. He appears gentle and restrained, but his heart is filled with calculation and intrigue. In stark contrast is Cai Zhao, who seems carefree and easygoing, yet possesses exceptional judgment and insightful understanding. Their encounter is not one of one-sided dependence, but rather the establishment of an equal and complex relationship through constant testing and tug-of-war. The development of their relationship does not rely on accidental misunderstandings, but stems from a clash of ideologies and value choices. It is precisely in the midst of repeated battles of wits and strategic maneuvering that feelings quietly blossom, with sweetness and heartbreak intertwining to create a sustained emotional tension. This argument is supported by a broader narrative structure. The martial arts world is not simply a place of clear-cut good and evil, but a power arena filled with "masks." Undercurrents surge among various sects, and old grudges and new hatreds intertwine. The drama constantly reveals the misalignment between the characters' identities and their true stances, forcing the audience to re-examine each choice amidst the twists and turns. Mu Qingyan and Cai Zhao are not only a community of shared emotions but also rivals and allies in a game of power. Their relationship reflects the turmoil and reconstruction of the entire martial arts world order. The ensemble cast further enhances the depth of the work. Actors such as Yu Jiacheng, Fan Jingyi, Bian Tianyang, Duan Yu, Yan Yuchen, Yuan Wenkang, Li Yuan, Jing Chao, Lu Shan, Che Baoluo, Zhao Yingbo, Sheng Yilun, Wan Peng, and Li Yunrui collectively construct a richly layered martial arts ecosystem. Characters from different generations and with different stances converge in the same power arena, making the story not only about individual fates but also about the changing order and the clash of values. In terms of pacing, the series maintains narrative tension through frequent plot twists and sustained suspense. The first five episodes were released at noon on February 22nd, quickly establishing the world and core conflict for viewers; two more episodes were released at noon on February 23rd; and two more episodes were released every evening at 6 PM starting February 24th, with the finale expected on March 12th. This gradual release schedule allows for a stable rhythm in plot progression and emotional build-up, while also providing ample space for key turning points to develop. Overall, *Ten Years of Rain and Light in the Jianghu* attempts to raise the question of "truth and choice." In a world of scheming and pretense, how individuals maintain their original intentions, and how emotions grow amidst power struggles, are the core issues that run throughout the series. The thirty-seven episodes not only tell a bittersweet love story but also depict a martial arts world where everyday life and intrigue coexist. As the night rain falls and the lights remain lit, every choice the characters make amidst the changing times will ultimately determine their fate and destiny.

A blend of mystery and romance: Gulnazar's fantasy photoshoot showcases her multifaceted charm.

Recently, a new set of fashion photos featuring Gulnazar was released, quickly attracting attention with its storytelling visual style. In this series, she transforms into a mysterious witch and a seashell mermaid, presenting distinct yet harmonious female images in an atmosphere where reality and fantasy intertwine. Bold styling and layered emotional expression give the entire series both fashionable tension and a fairytale-like dreamlike quality. One particularly captivating moment is when Gulnazar gazes down at a crystal ball. Under the soft light, her expression appears restrained and profound, as if the character is peering into an unknown destiny, extending the narrative beyond the static image. This expression, using the eyes as the core of emotion, strengthens the character's mysterious aura, shifting the visual atmosphere from a simple styling display to a more immersive storytelling. Another set of mermaid-themed photos showcases a completely different aura. Seashell elements and flowing fabrics together create a space between dreams and the ocean. Gulnazar's firm and direct gaze injects power into the images, making "ethereal beauty" not merely a symbol of gentleness, but a visual expression that combines independence and cool elegance. The subtle balance between the character's fantastical attributes and realistic aura makes the overall look more memorable. In terms of clothing, the lace lingerie paired with soft curls presents a style that is both mature and sophisticated, while the purple satin cape reinforces the mysterious narrative of the witch theme. The visual layers created by the contrasting materials make the expression of sexiness restrained and elegant. Without relying on exaggerated designs, it creates a captivating atmosphere through details, demonstrating Nazha's stability and versatility in fashion expression. Overall, this photoshoot is not only a breakthrough in styling but also a re-exploration of the boundaries of the actress's personal temperament. The multi-dimensional presentation, from gentle and dreamy to cold and mysterious, allows Nazha to complete a character transformation within the visual narrative, further solidifying her personal brand of beauty and expressiveness in the field of fashion photography.

Xiao Zhan's fitness and weight loss methods: self-discipline and focus, there are no shortcuts.

When Xiao Zhan works out at the gym, he places his phone on a shelf and listens to music while focusing on each set of exercises. After training, he diligently stretches and relaxes, demonstrating self-discipline and focus throughout the process. Regarding his weight loss secrets, which are frequently asked about, he frankly stated that there are no shortcuts; the core is simply "controlling your diet and exercising." During his weight loss for a role, he never resorted to extreme dieting. Instead, he ensured that each meal included sufficient high-quality protein, such as chicken breast and salmon, along with healthy carbohydrates and vegetables like brown rice and broccoli, keeping his daily calorie deficit between 300-500 calories. This way, he could eat his fill while steadily losing weight. During breaks from filming, he would use water bottles as dumbbells for resistance training, utilizing fragmented time to complete 15 minutes of plank and squat combinations, making the most of every minute. Furthermore, he strongly emphasizes a regular sleep schedule, believing that only by ensuring sufficient sleep can the body maintain a stable metabolism, helping to maintain his physique in the long term.

Emotional escalation in "Our Universe": Noh Jung-yi and Bae In-hyuk protect their nephew amidst a tense relationship.

The Korean drama "Our Universe" released a new set of stills ahead of its latest broadcast, further fueling viewers' anticipation for the plot. "Our Universe" tells the story of Son Tae-hyung and Oh Hyun-jin, who, despite long-standing misunderstandings, gradually develop an emotional connection through co-parenting their nephew. As their cohabitation unfolds, "Our Universe" depicts the intertwining of family responsibility, emotional healing, and budding romance. In previous episodes, Son Tae-hyung was caught in a complex emotional state due to his father's sudden return. His father, played by Ryu Seung-soo, attempted to mend their relationship, but Son Tae-hyung, still affected by childhood trauma, showed obvious estrangement. Meanwhile, Son Tae-hyung and Oh Hyun-jin gradually grew closer through mutual understanding, adding depth to the emotional storyline of "Our Universe." Park Yoon-sung, played by Park Seo-ham, confessing his feelings to Oh Hyun-jin also introduces a new emotional twist to the plot. In the latest stills, the nephew suddenly develops a severe rash, causing concern among the family members. The father carefully tends to the child's fever, while Son Tae-hyung stands by, his emotions turbulent. The scene of Son Taehyung and Oh Hyun-jin comforting their child together reinforces the family warmth in *Our Universe*, making the characters' relationships seem more complex and realistic. As the father frequently appears and tries to get closer to his son, Son Taehyung's inner conflict deepens. *Our Universe* uses nuanced performances to portray the characters' oscillation between pain and understanding, while Bae In-hyuk's emotional expression and Noh Jung-yi's gentle companionship become important forces driving the plot. Another set of stills shows Oh Hyun-jin and Park Yoon-sung on a picnic date. Their conversation in a quiet park makes the future of their relationship after the previous confession even more intriguing. Noh Jung-yi's hesitation and contemplation in this scene add realism to the romance in *Our Universe*. The production team stated that in episode 8, Son Taehyung feels uneasy about his father but also gradually realizes the father's true feelings. Whether the father-son relationship in *Our Universe* will take a turn for the better becomes a key point of interest in the subsequent plot.
White Rose
White Rose
Mulan Chung - White Rose 378 Boulevard Cremazie Quebec, QC G1R 1B8

Old news resurfaces, Chen Feiyu's team responds to "unwarranted disaster," and the popularity of his new drama rises with public opinion.

In the early hours of March 1st, Chen Feiyu's studio responded to the sudden online controversy, characterizing the incident as an "unwarranted disaster" and stating their stance of "seeking truth through purity." They also used self-deprecating expressions such as "Thank you for the free advertising space, welcome everyone to continue watching 'Love in the Pure Era'," drawing public attention to their new drama, "Love in the Pure Era," which is currently airing simultaneously on CCTV and Tencent Video. This response quickly garnered attention, and public opinion shifted from controversy to discussion about the work itself within a short period. According to related information, this round of controversy stemmed from the resurfacing of past rumors about Chen Feiyu during the ongoing discussions surrounding Qi Meihe and Wang Yibo's alleged relationship, leading some to question whether he was using the situation to create buzz for his new drama. In response, the studio did not address each specific rumor individually, but instead described it as an "unwarranted disaster," emphasizing their focus on the work itself. Their statements neither incited emotions nor directly confronted the criticisms, instead focusing on promoting the drama and portraying the characters. In terms of communication strategy, the studio used lighthearted language such as "thank you for the free advertising space" to transform negative traffic into exposure resources for the work, repeatedly emphasizing the keyword "innocence" in the drama's title, and focusing public attention on the character "Fang Muyang" played by Chen Feiyu and the drama's performance data. "Love in the Innocent Years" surpassed 28000 in popularity on Tencent Video, setting a record for the platform's Firefly Theater, and achieved a peak viewership rating of 2.7% on CCTV. It also topped several charts, including the Datawin TV Drama Popularity Index and the V-Chart Individual Character Index, becoming a direct beneficiary of this round of public opinion. Regarding the response, some netizens praised its dignified and restrained approach, believing that a calm attitude helps improve public image. Other viewers called for a return to the work itself, emphasizing that actors should focus on filming and viewers should concentrate on watching the drama, avoiding gossip interfering with the viewing experience. At the same time, some voices questioned whether artists need to strike a balance between protecting their rights and public supervision, and whether excessive use of memes could blur the focus of the controversy. Another viewpoint suggests that the controversy was related to the combined effect of old news such as the bankruptcy of Qi Meihe's family and the popularity of the new drama, triggering external speculation. It's worth noting that Chen Feiyu had previously responded humorously to the comment that he was "good at playing fools," saying, "Thank you for saying I'm acting, but some people outside say I'm real," using self-deprecation to amplify public discussion about his acting skills. This light-hearted approach reappeared in this recent public opinion crisis, establishing a consistent communication style. Overall, Chen Feiyu's team handled the sudden controversy with relative restraint, downplaying the substance of the storm, strengthening the connection between the drama and his work, and using self-deprecating language to defuse confrontation, creating a synergistic effect between public opinion and drama viewership. While the controversy may be temporary, continued discussion of the drama's reputation and actor's abilities remains a core foundation for an actor's long-term development. In this incident, Chen Feiyu and "Love in the Innocent Years" gained wider attention, with both public opinion and viewership increasing simultaneously.

Yang Zi held a couplet that read "Wishing you a prosperous Year of the Horse" to send her blessings, creating a warm and festive atmosphere.

On February 28th, Yang Zi's studio shared a set of new photos. In the pictures, Yang Zi holds a red couplet that reads "Wishing you a prosperous Year of the Horse," her smile sweet and natural, the overall atmosphere brimming with festive joy. The vibrant red elements complement her gentle and bright temperament, adding warm and sincere blessings for the New Year. On that day, Yang Zi wore a plaid coat paired with a dark brown scarf, a simple yet layered look. Her light makeup highlighted her clear and bright temperament, her overall style gentle and approachable. She looked directly at the camera with a gentle smile, her expression dignified and gentle, showcasing a composed and natural state. In the photos taken at the beach, the sea breeze gently caressed her hair, creating a relaxed and healing atmosphere, adding a touch of freshness and liveliness to the entire set of photos. Overall, the styling was sophisticated yet understated, revealing a playful and lively feel in the details, presenting both the festive atmosphere and Yang Zi's natural and approachable side.

"The Practical Guide to Love": Han Ji-min reunites with her college crush, Shin Jae-ha, at work.

JTBC's new drama "The Practical Guide to Love" has released new stills, sparking anticipation among viewers. The drama tells the story of Lee Eui-young (Han Ji-min), who enters the world of arranged marriages after deciding to actively pursue love. When she meets two men with drastically different charms—played by Park Sung-hoon and Lee Ki-taek respectively—she wavers between rationality and attraction, embarking on a journey to find the meaning of "true love." In her views on relationships, Lee Eui-young firmly believes in fateful encounters. Rather than deliberately creating opportunities or forcibly pushing relationships forward, she longs for the natural, unconscious attraction that arises from falling in love with someone familiar to her. However, reality constantly challenges her ideals, making her begin to doubt whether such love truly exists. Just then, she unexpectedly reunites with Kang Do-hyun (Shin Jae-ha), her college crush from 10 years ago. During their university years, there was a vague, ambiguous feeling between them, but they never truly took the step of becoming lovers. Ten years later, they meet again as colleagues at The Hill Hotels. This long-awaited reunion seems to bring Lee Eui-young one step closer to her ideal of "natural love." The released stills simultaneously present their past and present. One photo captures the moment of their first crush during their university years, innocent and reserved; while in the present timeline, Kang Do-hyun takes a picture of Lee Eui-young while on a business trip, showcasing both their professional chemistry and hinting at the lingering emotional tension. Also traveling with Lee Eui-young on this business trip are her junior colleague Jung Hyun-min (Jung Hye-sung) and intern Shim Sae-bi (Kim So-hye). Amidst the busy workplace atmosphere, Kang Do-hyun's presence makes Lee Eui-young look forward to work every day, and even her colleagues notice the subtle, ambiguous atmosphere between them. "The Practical Guide to Love" will premiere on February 28th at 10:40 PM (KST) and can be watched on Viki.

No Tail To Tell airs its finale tonight, with Kim Hye-yoon sharing farewell messages with Lomon.

SBS drama "No Tail To Tell" will air its final episode tonight. As the finale approaches, lead actors Kim Hye-yoon and Lomon shared their thoughts on the drama and their characters in an interview. Kim Hye-yoon expressed her sadness at the drama's impending conclusion. "I was truly fortunate to play Eun-ho," she confessed, admitting she gained a lot from the process of creating the character, especially being moved by Eun-ho's inner strength. "Because of Eun-ho, I feel I've grown a bit more, and I'm very grateful for that." She also expressed her deep affection for the character, saying she would always support "Eun-ho, who is living happily somewhere." Lomon reflected on his experience playing Kang Shi-yeol over the past few months. He said every moment felt like a gift. "Through Shi-yeol, I realized that the warmest force that ultimately brings a smile to people's faces is love." He believes the character's transformation from initial simple enthusiasm to cherishing those around him after meeting Eun-ho will remain in his heart for a long time. He also described "No Tail To Tell" as a heartwarming work, teaching him to transform inner emptiness into warmth. Speaking about the highlights of the finale, Lomon revealed that he hopes viewers will focus on Kang Shi-yeol's courageous choice—to set aside his status as a world-class star in order to protect the precious value of being an ordinary person. He invited viewers to stay until the very end and witness how Shi-yeol and Eun-ho's fate will unfold. The final episode of "No Tail To Tell" will air on February 28th at 9:50 PM (KST).

Pavane stars Moon Sang-min and Go Ah-sung share their insights on their roles and their chemistry as co-stars.

The stars of the Netflix film *Pavane*, Moon Sang-min and Go Ah-sung, recently shot a pictorial for *ELLE Korea* and gave an interview, sharing their understanding of their characters, the chemistry during filming, and the emotional resonance the film evoked. Adapted from the bestselling novel *Pavane for a Dead Princess*, *Pavane* tells the story of three withdrawn young people who gradually learn to face life and love through mutual support. The film explores themes of self-acceptance and emotional healing in a delicate and restrained manner. Speaking about playing the emotionally closed-off character Mi-jung, Go Ah-sung said she felt that Mi-jung's heart was like a switch, turning on or off depending on the situation. Even after falling in love, Mi-jung still felt fear before happiness. Go Ah-sung also revealed that many sentences from the original novel provided an important foundation for her character development; even passages not directly adapted into the film naturally transformed into her emotional expression and energy on the set of *Pavane*. For Moon Sang-min, *Pavane* marked his first time playing a leading role in a film. He recalled feeling a strong connection upon first reading the script, believing it was a project he didn't want to miss. When portraying Kyung-rok, who dreams of becoming a dancer, Moon Sang-min focused more on the character's expressions and temperament than on the lines themselves. He pointed out that although Kyung-rok appeared slightly weary on the surface, he couldn't be devoid of emotion, so he deliberately maintained that subtle and restrained state, giving the character more depth in *Pavane*. Both actors highly praised their compatibility with their roles in interviews. Go Ah-sung stated that Moon Sang-min was Kyung-rok from the moment he arrived on set, while Moon Sang-min felt that Go Ah-sung was Mi-jung from the beginning. They mentioned that the deliberate maintenance of a suitable distance during filming naturally manifested in the development of their characters' relationship. As the plot progressed, the emotional tension in *Pavane* intensified. Moon Sang-min recalled the scene where Kyung-rok's emotions exploded after Mi-jung's disappearance, admitting that all his emotions were released at once on set. Go Ah-sung stated that even after filming wrapped, she still strongly felt the need to say goodbye to the character. Both agreed that *Pavane* is a work that remains memorable even after filming has ended.

Golden Child member Hong Joochan terminates his contract with Woollim Entertainment.

Golden Child member Hong Joo-chan will end his exclusive contract with Woollim Entertainment and officially leave the company. On February 26, Woollim Entertainment released an official statement confirming that Hong Joo-chan's exclusive contract had expired. The company revealed that after a long and sincere discussion, both parties decided to respect each other's future development and reached an agreement to go their separate ways. In the statement, Woollim Entertainment thanked Hong Joo-chan for his passion and hard work during his activities and expressed that they would cherish the time they had spent together, while sincerely wishing him all the best in his future journey. The company also expressed its gratitude to the fans who have always given Hong Joo-chan warm support and love, and hoped that everyone would continue to pay attention to and encourage his new development. Golden Child has seen a series of member departures in the past year. In August 2024, Woollim Entertainment announced that Bomin, TAG, and Jibeom would leave the group and the company simultaneously after their contracts expired. In December 2024, Daeyeol, Y, Seungmin, Jaehyun, and Donghyun also ended their cooperation with the company. With Hong Joo-chan's departure, Jangjun is now the only Golden Child member still remaining with Woollim Entertainment.

Yoo Yeon-seok and Lee Som share their thoughts on their roles in the new drama "Phantom Lawyer".

Yoo Yeon-seok and Lee Som recently gave an interview to Harper's Bazaar Korea, discussing their upcoming drama "Phantom Lawyer" and their understanding of their characters and filming experiences. "Phantom Lawyer" is a legal drama that blends fantasy and heartwarming elements, telling the story of Shin Yi-rang, a lawyer who can see ghosts, and elite lawyer Han Na-hyun, who team up to solve problems for their "special clients"—ghosts—who still have regrets. The drama incorporates supernatural elements into its courtroom narrative framework, making it both entertaining and emotionally compelling. When discussing his role as Shin Yi-rang, Yoo Yeon-seok emphasized the acting challenge of being possessed by different ghosts. He stated that he gave his all, fully immersing himself in the character. He believes that opportunities to so completely let go and immerse oneself in a role are rare, and therefore he cherishes this experience. Yoo Yeon-seok also mentioned that he has always admired actors' ability to quickly switch between different roles on the musical stage. In "Phantom Lawyer," he portrays such a diverse range of characters in a single production for the first time. From a young man with idol dreams to a scientist, he meticulously observed the actors playing ghosts during rehearsals, listening to their recordings to incorporate their movements and habits into his own performance. He admitted that unlike the gradual familiarization process of a character in the later stages of a typical drama, this filming was always full of freshness and challenges. When asked about the part of himself he least wanted to change as an actor, Yoo Yeon-seok said he hoped to continue trying new types of roles and constantly changing his subject matter and image. If he had played a positive character, he would also like to challenge himself with a villain. He believes that fans support his exploration of different facets and hopes to continue moving forward with that trust. Lee Soo shared her thoughts on the character Han Na-hyun. As an elite lawyer at a large law firm, Han Na-hyun appears rational, restrained, and strictly adheres to the rules. While preparing for the role, Lee Soo constantly questioned why Na-hyun chose to hide her wounds and whether she really had to follow the rules so strictly. As her understanding of the character deepened, she realized that everyone has scars and loneliness in their hearts, and essentially, everyone is just an ordinary person. When asked about the significance of this work, Lee Soo said she had no regrets. Because Han Na-hyun's character was not easy to understand, she had countless discussions with the director during filming. Every time a new script was sent, she and the director would scrutinize it word by word, a process that continued throughout all 16 episodes. She joked that she was, in some ways, as meticulous and serious as Han Na-hyun, hoping only to portray the character more fully. Yoo Yeon-seok and Lee Som's full pictorial and interview will be published in the March issue of Harper's Bazaar Korea. *Phantom Lawyer* will premiere on March 13th at 9:50 PM.

"Fantasy World" viewing schedule and plot synopsis

The sci-fi urban drama series *Fantasy World* will officially premiere on February 28, 2026. Starring Lang Yueting, Zhang Tianyang, and Li Qing, the series features a diverse cast including Wang Fang, Wu Qihua, Peng Yang, Kong Lin, Shi Yu, Zhao Qian, Wang Yichan, Chen Guanning, Xu Jiaqi, Liu Kai, Chang Di, Qian Didi, and He Liaoluyun. The story focuses on future technology and digital ethics. *Fantasy World* is set in the futuristic city of Diecheng in 2046. Metaverse Technology releases the "Paradise System," attempting to create a highly immersive digital world, sparking widespread social attention. Ye Xi, played by Lang Yueting, the system architect, successfully rises to the core of power through this project. However, Chen Guyuan, played by Zhang Tianyang, a digital ethics consultant, questions the authenticity of the system's data, suspecting fraud. Meanwhile, Chi Cheng, played by Li Qing, a college student searching for clues about his missing father, collaborates with Chen Guyuan. The three delve deeper into the investigation, uncovering the secrets behind the "Paradise System" amidst layers of mystery. "Fantasy World" blends suspense elements within a science fiction framework, exploring the complex relationship between technological development, power struggles, and ethical boundaries through a futuristic city setting. Regarding its broadcast schedule, "Fantasy World" adopts a tiered release model. VIP members will receive the first 10 episodes starting at 12:00 PM on February 28th, with direct access to the finale. Non-VIP members will receive one episode starting at 12:00 PM on February 28th, followed by one episode daily on Saturdays and Sundays starting March 7th, available for a limited time, with the finale airing on April 4th. By combining a futuristic urban setting with realistic issues, "Fantasy World" offers a fresh perspective on its genre and adds a noteworthy entry to the 2026 drama market.

Xiao Zhan's fitness and weight loss methods: self-discipline and focus, there are no shortcuts.

When Xiao Zhan works out at the gym, he places his phone on a shelf and listens to music while focusing on each set of exercises. After training, he diligently stretches and relaxes, demonstrating self-discipline and focus throughout the process. Regarding his weight loss secrets, which are frequently asked about, he frankly stated that there are no shortcuts; the core is simply "controlling your diet and exercising." During his weight loss for a role, he never resorted to extreme dieting. Instead, he ensured that each meal included sufficient high-quality protein, such as chicken breast and salmon, along with healthy carbohydrates and vegetables like brown rice and broccoli, keeping his daily calorie deficit between 300-500 calories. This way, he could eat his fill while steadily losing weight. During breaks from filming, he would use water bottles as dumbbells for resistance training, utilizing fragmented time to complete 15 minutes of plank and squat combinations, making the most of every minute. Furthermore, he strongly emphasizes a regular sleep schedule, believing that only by ensuring sufficient sleep can the body maintain a stable metabolism, helping to maintain his physique in the long term.